A friend asked me about these characters for his artwork.
I explained that these four characters reflects the idea of literally, wind being tuned and rain being easy going. Signifying smooth proceedings.
I suppose it reflects my hopes for my fine art pursuits as well.
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A lot of people don't understand my interest in Chinese calligraphy and ink, even close friends, especially when I come across as somebody who is very western in style and mannerism.
I think, well, as with any other artists and a medium they admire or choose, it's a complicated decision that is compelled by very many reasons.
At the practical level, I like the versatility and efficiency of just black ink and brush and paper. Say, as compared to the more complicated requirements of oil painting. As a water based medium, it is also easier to clean up!
At the basic level, it's because I am a writer and it is sensible that my entry point into visual arts is through writing.
At an intellectual level, I admire the literary and historical aspects of calligraphy, and that the philosophies reflected in the writings and lived out by the ancients. They occupy me.
At a personal development level, it helps me become more observant, patient, and focused.
Being a late starter and not being as strong as I'd like to be in the Chinese language itself, especially in writing it, and most of all, not having enough time and effort to practise more often, I am aware that the chances of me doing very well in calligraphy in this lifetime are low. In that sense, it's not so much about the outcome.
But, in spite of that, the benefits of Chinese calligraphy is still very valuable to me, and we must always remember to do things for reasons beyond the apparently important.
[300 words]
